Britney Spears Oops I Did It Again Chart History
| Oops!... I Did Information technology Over again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Once more is the second studio album by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Time (1999), it is a pop, dance-pop, and teen popular record, the album incorporates a more than funkier and R&B sounds.[ane] Contributions to the album's product came from a broad range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did Information technology Once more received positive reviews from music critics, who praised its production, sonic quality and Spears' song performance. The album became a massive commercial success, debuting at number one in over xv countries while peaking within the top x in various others. In the U.s.a., it debuted at number ane on the Billboard 200, with first-calendar week sales of ane.39 million copies, becoming the fastest selling anthology by a female artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[iii] This tape was cleaved fifteen years afterward by Adele's 25, which sold over 3.38 meg copies in its get-go week of release.[4]It became Spears' 2nd consecutive anthology to be certified Diamond past the Recording Industry Association of America, cogent sales of over ten million copies in the Us, making Spears at age 18 the youngest artist to have multiple diamond albums.[5] With worldwide sales of over twenty million copies,[half-dozen] Oops!... I Did It Again is one of the best-selling albums of all-time.
Iv singles were released to promote the album. Its championship track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the US Billboard Hot 100. Its 2d single, "Lucky", peaked at number ane in Austria, Frg, Sweden and Switzerland, inside the peak ten in Commonwealth of australia, Belgium, Canada, Kingdom of denmark, Ireland, Italy, the Netherlands, New Zealand, Norway, Poland, Romania and the Britain, and at number twenty-three on the United states of america Billboard Hot 100. Its third single, "Stronger", reached the superlative 10 in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number xi on the United states of america Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Denmark, Frg, New Zealand, Sweden, and the United States. Its final single, "Don't Let Me Be the Final to Know", was moderately successful on the charts, peaking at number ane in Romania, and within the superlative ten in Republic of austria, Poland, and Switzerland, but failed to nautical chart on the United states Billboard Hot 100. To promote the anthology, Spears performed on several television set shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She as well was the host and musical guest for the offset time on Saturday Night Live. Furthermore, Spears embarked on a concert bout, entitled the Oops!... I Did It Once again Bout, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the first album, I had just turned sixteen. I mean, when I look at the album embrace, I'm like, 'Oh, my lordy.' I know this next album'due south going to be totally unlike--particularly the cloth. I just got finished recording the showtime six tracks in Sweden 2 months ago, and the material is so much more funkier and edgier. And, of course, information technology's more mature because I've grown as a person as well."
—Spears on the progression of her material for the anthology.[7]
After vacationing for half-dozen days following the completion of the ...Baby 1 More Time Tour in September 1999,[viii] Spears returned to New York Metropolis to begin recording songs for her next album; the majority of the recording took place in Nov. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Once more", "Walk on Past" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin's Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Let Me Be the Final to Know" at Robert Lange's villa in Switzerland in Dec 1999; Lange produced the song.[10] "Where Are You lot Now" was an outtake from ...Baby Ane More Time. "Girl in the Mirror" and "Can't Make You Dearest Me"'s instrumental rail and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[eleven] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren'due south "When Your Eyes Say It" at Bombardment Studios on Fri, January 28, 2000, which preceded her TRL appearance that mean solar day. "One Kiss from You" was also recorded at Battery Studios but was subsequently finished at tertiary Flooring in New York Metropolis. Spears likewise recorded the last runway for the album "Dear Diary" which would afterward be completed at Eastward Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Middle". Her comprehend of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 later attending the 42nd Almanac Grammy Awards.[xiii]
By January, the so-untitled album was halfway to completion; Spears had worked on information technology primarily in the United States and Sweden, and finalized textile in New York City.[9] She was heavily pressured afterwards ...Babe I More Time 's huge commercial success, stating: "Information technology's kind of difficult post-obit ten million, I accept to say. But after listening to the new material and recording it, I'grand really confident with it."[fourteen] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of class at that place'south some pressure", and added: "Just in my opinion, [Oops!] is a lot better than the first album. It'due south edgier – it has more than of an attitude. It's more than me, and I think teenagers will chronicle to it more." Geoff Mayfield, managing director of Billboard charts, added that the decision to release Oops!... I Did Information technology Again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when you take a young fan base, get 'em while they're hot."[15]
Music and lyrics [edit]
Oops!... I Did Information technology Again was considered every bit a sequel to Spears' debut album, ...Infant One More Time (1999),[1] percolating with a carefully measured alloy of familiar pop, funk, R&B and power balladry.[xvi] Spears said during an interview that the anthology has a more than mature, R&B-flavored pop sound. "It's non something I changed purposefully", Spears said of the anthology's audio and added: "It'due south only something that kind of changed on itself with me being older. My voice has changed a piddling fleck and I'm more confident, and I think that comes beyond on the material."[vii] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It'due south going to stupor everybody", calculation: "It has flavors of the original, but it's a straight 2000 version — new to the ear. Which I think is cool, because people who appreciate that vocal are going to honey it. And I made it and so new and young that the young kids that beloved Britney are going to dear it. Information technology's going to take hold of both a mature and young audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Concluding to Know", telling MTV News: "When you hear the song, it's and so pure and delicate. Information technology's simply one of those songs that pull yous in", and added: "I call back they wrote information technology 'specially for me, considering the lyrics of the song, if you actually listen … they're more of what I can relate to, 'crusade they're kind of immature lyrics, I think. I don't call up Shania would probably sing some of the words that I'm saying."[17]
The title track and opening vocal, "Oops!... I Did It Again", was compared to her debut single, "...Baby One More than Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the vocal sees Spears warning to an overeager prospective lover: "Oops, you remember I'm in love/That I'm sent from above — I'm not that innocent."[xviii] The song likewise breaks down for a spoken-discussion interlude, involving a line from the film Titanic (1997).[18] The 2d rails "Stronger" is a synthpop[19] and R&B-infused track,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her similar property.[xx] The line "my loneliness own't killing me no more" makes reference to the poetry "my loneliness is killing me" from her song "...Baby One More Time".[17] Some other R&B-infused track, which also adds a bit more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakup.[20] The fourth track, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-popular version also jettisons the song'south last verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my brim should be").[22] "[It] was my thought [to record the song]", Spears said. "I was just like, 'I like this song,' and I think information technology will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[13] The 5th rail, "Don't Permit Me Be the Last to Know", was co-written by country-pop singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the runway.[17] The ballad, which boasts a slinky keyboard riff and Lange'southward characteristically lavish product, finds Spears assuasive a bit of state twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I need to hear it straight from you", she sings.[17]
The sixth runway "What U Meet (Is What U Get)" demands respect by rebuking a jealous partner,[xx] while the seventh rail, "Lucky", is a heart-rending tale of a Hollywood starlet'southward loneliness, proving that fame tin can be empty.[xx] "If there's zippo missing in my life/Then why do these tears come at night?", she asks.[xix] "School crush" is the theme of "Ane Kiss from You",[20] a runway that has a reggae-style beat and lyrics near the feelings of falling in dearest, and the quickness of information technology,[23] with Spears cooing that later only one osculation she sees her entire time to come with her lover.[24] The ballad "Where Are You Now" talks virtually wanting to know where a previous love is, and what that person is up to, so that she can finally let them go and find closure.[ citation needed ] Lines on "Can't Make You Dear Me", a Europop vocal,[21] state that fancy cars and coin stake in comparison to true honey,[20] with Spears singing: "I'g just a daughter with a crush on you."[21] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string section with a loping hip hop trounce,[17] while Spears makes her own songwriting debut on the small-scale, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the rail, she sings of wanting to become "then much more than friends" with a male child.[17]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the Uk.[25] In Italy, she did a short interview on the television receiver prove TRL Italia in early on 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Alive on May 13.[25] In Spain, she gave an interview with El Rayo on September eight and October 24.[25] Spears performed at large venues in the U.k., including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United kingdom of great britain and northern ireland outing in October 2000.[26]
Oops!... I Did It Again was get-go released in Japan on May 3, 2000, and was after released in the United States on May 16. In the U.s., Spears appeared on Sabbatum Night Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Dark with Conan O'Brien.[25] On May 13, Spears was both the host and musical invitee on NBC'due south Sat Dark Alive. She also performed on NBC'southward The This night Show with Jay Leno on May 23.[28] Spears' held her post-TRL listening party, "Britney'south Commencement Listen", on May 16, and was toast the inflow of her album on next Tuesday's installment of TRL that started at 3:30 p.k. (ET).[29] On May 14, she was at Times Foursquare studios for two hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Again" on MTV'southward All Access: Backstage with Britney that was broadcast on July xix, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York Metropolis at the Radio City Music Hall, Spears gave a memorable live operation.[thirty] which included a cover of the Rolling Stones'due south hit unmarried "(I Can't Go No) Satisfaction" (1965) and her own hitting "Oops!... I Did It Again", released before that year. While she began her segment in a black suit, she shocked the audition and the media while, at only the age of 18, ripped information technology off to brandish a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] One month earlier the release of the album, Spears headed to Hawaii on Easter Sunday then she could tape a Fox television special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert effect was intended to serve as a preview of Spears' Oops!... I Did It Once more anthology that features her twelve new songs.[32] Spears had on a month-long international promotional tour in support of Oops!... I Did It Over again, and on May two, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at viii p.chiliad. (ET/PT).[34] She was also expected to appear on a Grammy-day TRL.[34]
The album's supporting tour, the Oops!... I Did It Once again Tour, visited North America, Europe, and Brazil as office of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a impress and television advertising campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain song for the make called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was part of a pre-concert video presentation for Spears's fifty-city summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did Information technology Again" was released as the atomic number 82 single from the album and achieved worldwide popularity. Information technology became Spears's third elevation-x hit single on the US Billboard Hot 100, peaking at number ix; however, in comparison to the huge success of her debut unmarried "...Infant One More Fourth dimension", Jive Records considered "Oops!... I Did Information technology Again" a minor disappointment.[36] The song peaked at number 1 on the US Mainstream Top 40,[37] holding the record for the most radio additions in one solar day. "Oops!... I Did It Again" peaked atop the charts in Commonwealth of australia, Kingdom of belgium, Canada, Italia, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania, Spain, Sweden, Switzerland and the Britain.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in at present-iconic reddish shiny catsuit, while she is visited past an American astronaut who hands her the fictional Center of the Ocean gem which Rose threw into the ocean at the terminate of Titanic.[39]
The album's second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the anthology. Commercially, "Lucky" topped the charts in Republic of austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Nautical chart.[xl] In the The states, "Lucky" only managed to peak at number 20-3 on the Billboard Hot 100 chart and at number ix on the Mainstream Top 40.[36] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy motion-picture show star and shows her conflicted relationship to fame.[41]
The third unmarried, "Stronger", was released on October 31, 2000 and became the album's second highest-charting unmarried in the United states, peaking at number eleven on the Billboard Hot 100 and number 1 on the Hot Single Sales.[36] It reached number seven on the UK Singles Chart.[42] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the pelting,[41] while the chair sequence in the video was inspired past Janet Jackson'south video for "The Pleasure Principle".[43]
The fourth and final single, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United States, the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Superlative 40. However, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the top ten in Republic of austria, Poland and Switzerland, while just missing the top ten in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in love scenes with her fictional boyfriend, played past French model Brice Durand.[45]
"You Got It All" received a promotional release in France in May 2000. A promotional CD unmarried for "When Your Eyes Say It" was released in the U.k. in January 2001.[ commendation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[47] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[sixteen] |
| Christgau's Consumer Guide |  [48] |
| Entertainment Weekly | B[21] |
| Los Angeles Daily News | [49] |
| MTV Asia | 8/10[50] |
| NME | eight/10[19] |
| Rolling Stone |  [22] |
| Salon | favorable[51] |
| Sonic.internet | [52] |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[53] Giving the album 4 out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-pop that made 'One More Time'," just remarked that, "Fortunately, she and her product team not only have a stronger overall gear up of songs this time, simply they besides occasionally go carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album graphic symbol apart from the well-crafted dance-popular and ballads that serve equally its heart. In the end, information technology's what makes this an entertaining, satisfying mind."[1] Billboard magazine wrote that "'Oops!...' indicates that she'south developing a soulful edge and emotional depth that tin can't be conjured with a glass-shattering note," praising the anthology for consistently bandage[ing] Spears as a young woman coming to terms with her inner power—and that'south a darn good message to offering an impressionable audience."[16] Entertainment Weekly'southward David Browne gave the album a B-rating, writing that the album "reminds us over again that the all-time new pop tin be a blast of absurd air in a stifling room."[21]
Rob Sheffield of Rolling Stone gave the album a three-and-a-one-half out of five stars rating, calling the album "fantastic popular cheese, with much meliorate song-manufactory hooks than 'Northward Sync or BSB become", also noting that "the swell affair nearly Oops!, under the cheese surface, is complex, tearing and downright scary, making her a true child of rock & curlicue tradition."[22] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, human course", commenting that "she'south done it again."[19] Lennat Mak of MTV Asia named information technology "a bright second album", writing that Spears "is armed with a more mature and seasoned pop star expect, stronger and poppier songs, and of course, all-encompassing media exposure."[50] Andy Battaglia of Salon chosen the album "a masterpiece of sorts not for its message simply for the way it applies the conventions of the pop-musical medium."[51] Website The A.V. Club was more than mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks every bit Diane Warren and assorted Swedes."[54]
Accolades [edit]
Commercial operation [edit]
In the United States, Oops!... I Did It Over again reportedly sold 500,000 copies in its kickoff 24-hour interval of release.[threescore] Information technology debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest start-week sales by a female person artist.[64] This record was held for xv years, merely to be surpassed in November 2015 past the album 25 by Adele, which sold over 3.38 million albums in the United States in its offset week.[iv] The album fell to number ii in its second week, with additional sales of 612,000 copies.[65] It held this position for fifteen consecutive weeks.[66] [67] By its 5th calendar week of availability, Oops!... I Did It Over again had sold over three million copies and had passed five million copies by August.[68] On its seventeenth calendar week on the chart,[69] it was certified septuple Platinum by the Recording Industry Clan of America (RIAA) for shipments of seven million units.[70] [71] The album spent 80-iv weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and ii weeks on the U.s.a. Catalog Albums.[72] Oops!... I Did It Once again debuted at number fourscore-ii on the European Top 100 Albums, and quickly peaked at number ane;[73] it sold over four million copies inside the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did It Again reached number ii on the U.k. Albums Nautical chart,[38] selling 88,000 copies in the showtime week of release; information technology remained in the top five for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its showtime week.[75]
Information technology topped the French Albums Nautical chart[76] and the High german Offizielle Top 100, also being certified triple Platinum by the British Phonographic Industry (BPI),[77] double Gold by the Syndicat National de 50'Édition Phonographique (SNEP)[78] and triple Platinum past Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the anthology debuted at number ii on the Australian Albums Chart, and spent x weeks in the pinnacle twenty;[80] information technology became the fourteenth highest-selling of 2000 in the state and was certified double Platinum by the Australian Recording Industry Clan (ARIA) the post-obit yr afterward shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Again opened at number three on the New Zealand Albums Chart and was certified Gold after just i week on the chart.[83] The Recording Manufacture Clan of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did It Again became the third best-selling album of 2000 in the United States, selling 7,893,544 albums co-ordinate to Nielsen SoundScan[85] and fourth best-selling anthology co-ordinate to Billboard Yr-End of 2000.[86] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[87] [88] Also, the album landed at number 20-vii on BMG Music Club best best-sellers listing with 1.21 million units, behind Shania Twain'south The Adult female in Me (i.24 million) and Nirvana'south Nevermind (1.24 million).[89] As of July 2009, the anthology has sold 9,184,000 copies in the United states, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did Information technology Again sold ii.5 million copies in its starting time week (2nd highest get-go calendar week sales past a female artist worldwide) and sold 15 million copies by the end of the year. It was the all-time-selling female album and 3rd all-time selling album of 2000. The album has sold xx million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U Encounter (Is What U Get)" and "Tin can't Make Yous Dearest Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You Meet Is What You Become" in 1999 to i of Spears' representatives for consideration on a future anthology, though it was rejected.[91] The instance was later dismissed afterward it was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the two songs to prove copyright infringement."[92]
Rails listing [edit]
| No. | Title | Author(s) | Producer(southward) | Length |
|---|---|---|---|---|
| one. | "Oops!... I Did It Again" |
|
| three:31 |
| 2. | "Stronger" |
|
| iii:23 |
| iii. | "Don't Go Knockin' on My Door" |
|
| 3:43 |
| 4. | "(I Can't Get No) Satisfaction" |
| Rodney Jerkins | 4:23 |
| 5. | "Don't Let Me Be the Last to Know" |
| Lange | 3:l |
| 6. | "What U See (Is What U Get)" |
|
| 3:36 |
| vii. | "Lucky" |
|
| iii:26 |
| eight. | "One Osculation from You" | Steve Lunt |
| three:23 |
| 9. | "Where Are Yous At present" |
|
| 4:39 |
| x. | "Can't Brand You lot Love Me" |
|
| 3:17 |
| xi. | "When Your Eyes Say Information technology" | Diane Warren |
| four:29 |
| 12. | "Dear Diary" |
|
| ii:46 |
| Total length: | 44:37 | |||
| No. | Title | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
| thirteen. | "Dear Diary" |
|
| 2:46 |
| Total length: | 48:24 | |||
| No. | Championship | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| eleven. | "When Your Eyes Say It" | Warren |
| four:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| three:36 |
| 13. | "Y'all Got Information technology All" | Rupert Holmes | Eric Foster White | 4:43 |
| fourteen. | "Honey Diary" |
|
| 2:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(southward) | Producer(south) | Length |
|---|---|---|---|---|
| 11. | "When Your Optics Say It" | Warren |
| iv:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "Yous Got It All" | Holmes | White | 4:x |
| 14. | "Heart" |
|
| 3:31 |
| fifteen. | "Beloved Diary" |
|
| ii:46 |
| Total length: | 55:34 | |||
| No. | Championship | Length |
|---|---|---|
| ane. | "Don't Let Me Be the Last to Know" (Album version) | 3:50 |
| two. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| 3. | "Don't Permit Me Exist the Concluding to Know" (Hex Hector Club Mix) | 10:12 |
| four. | "Stronger" (MacQuayle Mix Show Edit) | 5:21 |
| v. | "Stronger" (Pablo La Rosa'southward Tranceformation) | 7:21 |
| 6. | "Oops!... I Did It Over again" (Music video) | 4:xi |
| 7. | "Lucky" (Music video) | four:07 |
| 8. | "Stronger" (Music video) | 3:37 |
| nine. | "Don't Permit Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | thirty:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did It Over again" (Music video) | 4:xx |
| two. | "Lucky" (Music video) | four:14 |
| 3. | "Stronger" (Music video) | three:47 |
| four. | "Oops!... I Did Information technology Again" (Karaoke) | four:17 |
| 5. | "Lucky" (Karaoke) | 4:18 |
| half dozen. | "Stronger" (Karaoke) | three:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Can't Go No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a song producer
Personnel [edit]
Credits adapted from AllMusic.[100]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – banana engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – cord engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – fine art management, design
- Mark Seliger – dorsum cover, cover photo
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – pilus stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Forest – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – pianoforte, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal organization, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Hairdresser – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – groundwork vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Twelvemonth-end charts [edit]
Decade-end charts [edit]
Best charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Run across as well [edit]
- List of acknowledged albums
- List of all-time-selling albums past women
- Listing of acknowledged albums in the United states
- List of fastest-selling albums
Notes [edit]
- ^ As of Dec 2010, Oops!...I Did Information technology Again has sold 9,201,000 copies in the U.s.a. co-ordinate to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]
References [edit]
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- ^ Salaverri 2005, p. 943
- ^ Panas, Dan (December 29, 2000). "Marie är popens drottning år 2000". Aftonbladet (in Swedish). Archived from the original on March 16, 2021. Retrieved March 16, 2021.
- ^ "Guld- och Platinacertifikat − År 2002" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 2011-05-17.
- ^ "The Official Swiss Charts and Music Community: Awards (Britney Spears;'Oops!... I Did It Once again')". IFPI Switzerland. Hung Medien.
- ^ Copsey, Rob. "Albums turning xx years quondam in 2020". Official Charts Company. Retrieved nine January 2020.
- ^ "British anthology certifications – Britney Spears – Oops!... I Did It Once again". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did It Over again in the "Search BPI Awards" field and so press Enter.
- ^ Trust, Gary (May 27, 2012). "Enquire Billboard: Spears, Lovato's 'X'-cellent Sales". Billboard . Retrieved April 14, 2022.
- ^ "American album certifications – Britney Spears – Oops". Recording Manufacture Association of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Once more - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Once again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon
- ^ "Oops!... I Did It Again (Special Uk Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Once more [Japan 2001 Bonus Tracks]". AllMusic. Feb 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Again AUSTRALIA Special Edition westward/Bonus Disc of Remixes And Videos". Tape Runner USA . Retrieved Baronial 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again 20th ceremony edition motion picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year by twelvemonth. 1959-2002] (in Castilian). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29
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